For some more grounded stories and ideas, please feel free to explore Rosie's Words Words Words.

Monday, October 21, 2013

Opening Crawls (Quick Commentary)

The opening crawls.  A throw-back narrative technique to set the tone of a story and to allow the action to begin from the first frame.  It should be a bold call to action but still be a slow ascent to build the tension in preparation for a wild ride, just like the slow climb pulled by the chain at a rickety wooden roller-coaster with the riders locked in and quivering with anticipation.

I'll explain my reasons below, but here is what the opening crawl to Star Wars: Episode 1: The Phantom Menace should have been.  It is an alternative that could have set the tone right for the opening episode of a saga that would follow generations of heroes and villains and their impact on a bright, exciting open Galaxy:


STAR WARS

Episode I

THE PHANTOM MENACE

It is a period of fragile peace.

The dreaded Sith Empire has lay dormant
for over a thousand years,
since they were vanquished
by the brave and wise JEDI KNIGHTS,
defenders of  the Light,
and champions of The Old Republic.

But corruption grows within the Galactic Senate
and the Republic's influence
is spread thin in the outlying regions,
now fertile ground for darkness to foment. 

Unleashing his sinister agents, Darth Sidious,
DARK LORD OF THE SITH, orchestrates from the shadows, the vessel for ancient plans
that can consolidate his power
and restore the might and glory of the ruthless Sith Empire
on an unsuspecting galaxy...

But that is NOT what we read on May 19, 1999 when theatres around the world went dark and a new chapter of the Star Wars galaxy was born.

Don't get me wrong.  There were many things done well in 1999 with Star Wars: Episode 1: The Phantom Menace.  The teaser trailer STILL gives me chills.  Seriously...I just watched it again and it captured all of the mystery, excitement, pathos and history that the sage deserved.  If you don't remember how good it was, just click here:   I dare you not to get goose bumps.


And the second trailer just continued to get better...


After waiting in line for hours, the movie sold out at the Uptown Theatre in Washington, DC within about 45 minutes.  We all have our own thoughts on what could or should have been different, and what they did right.  I actually thought that Qui Gonn using the lightsaber in the beginning to burn a molten hole in the control room door was a palpable, visceral image that showed the full power of a creative, improvisational Jedi in full harmony with his powers and his determination to not be stopped by any obstacle.

To see Jedi venturing out into the universe, just doing their job...protecting the innocent while being guided by the Force was delightful.

But looking back to 1999, from the very iconic opening crawl gave us pause.  There was no grandeur, no zing.  This was not the opening to a story with the DNA of Flash Gordon or Buck Rodgers.  This set the tone for an opening of a dry History Channel or PBS documentary.  And while, the History Channel can do wonderful things...setting up a roller-coaster Saturday Morning serial adventure is not one of them.

The danger signs for what we would discover was an overall cluttered mess were there from the moment the lights dimmed and the curtain opened.  There was just something wrong with the opening crawl.

Here is what actually said:




STAR WARS

EPISODE I

THE PHANTOM MENACE

Turmoil has engulfed the
Galactic Republic. The taxation
of trade routes to outlying star
systems is in dispute.

Hoping to resolve the matter
with a blockade of deadly
battleships, the greedy Trade
Federation has stopped all
shipping to the small planet
of Naboo.

While the congress of the
Republic endlessly debates
this alarming chain of events,
the Supreme Chancellor has
secretly dispatched two Jedi
Knights, the guardians of
peace and justice in the
galaxy, to settle the conflict...


Huh?  A dispute over taxation?  Endless congressional debates? How do these elevate to a Galaxy engulfed in Turmoil!!!!?  We, as an audience, already knew the battles between the Rebels and the Empire.  But in order to move the story forward, to an epic climax, the camera needed to be pulled back to the larger themes.  We wanted good versus evil.  We wanted an escalation of the scope of the stories.  We did not want a treatise on fiscal policy.

Sure, once the story started, there would have been nothing wrong with using the machinations of the Senate and the Trade Federation as the kernel of the conflict.   Elements of diplomacy, trade and politics are weaved through all three original films.  Leia's diplomatic mission to Alderaan.  Han's smuggling ways and the underground culture left to thrive with a Galaxy under the thumb of tyrannical oppression.  Lando's city in the clouds staying beneath radar of outside influence forced to betray his oldest friend.  The original trilogy did not shy away from what could have been dry or convoluted, but the details were used to create a realistic setting where the actions of the characters were influenced by the events and times they lived in, while just as much influencing those very events and times.

But by starting with such a narrow, dry conflict, it was unclear from the start what the stakes were and why we should care.

All of this, with the style and tone of 1977 original crawl from a film then just called STAR WARS was used for me to create the opening crawl that began this piece.  But to remember where it all started and how, here is how it all began:

STAR WARS

 EPISODE IV

 A NEW HOPE

It is a period of civil war. Rebel
spaceships, striking from a hidden
base, have won their first victory
against the evil Galactic Empire.

 During the battle, Rebel spies managed
to steal secret plans to the Empire's
ultimate weapon, the Death Star, an
armored space station with enough
power to destroy an entire planet.

 Pursued by the Empire's sinister agents,
Princess Leia races home aboard her
starship, custodian of the stolen plans
that can save her people and restore
freedom to the galaxy...



Friday, September 27, 2013

So, Schrodinger and Heisenberg are driving in a car. 

They're speeding.

A cop pulls them over and ask Heisenberg, "Sir, do you know how fast you were going?" 

Heisenberg replies, "No, but I can tell you exactly where I was." 

Thinking this was a weird response, the cop decided to check the vehicle. 

He comes back up to Schrodinger and asks, "Sir, did you know you had a dead cat in your trunk?" 

Schrodinger replies, "I do now." 

Wednesday, September 25, 2013

Shatner in Star Trek (2009)?

A scene was written (and scrapped)  for Star Trek (2009) that would have included Shatner, in addition to the cameos for Nimoy.   http://www.blastr.com/2011/05/revealed_why_shatners_sce.php It would have been a recording of Shatner as Kirk singing Happy Birthday in a holo-message (I guess like Tasha Yar's last message).  Nimoy would have given the device with the message to Quinto and Quinto would have played it after Nimoy walked away.  When I started reading the article, this sounded dumb.  Quinto would have no connection to Shatner Kirk, so it would have made no sense to give him the message.

But once I read what they came up with, it actually sounds like it could have worked just fine, with this little tweak.

Here is what the message would have been:
KIRK/SHATNER:
Happy birthday to you, happy birthday to you...
(stops, grins)
I know I know, it's illogical to celebrate something you had nothing to do with, but I haven't had the chance to congratulate you on your appointment to the ambassadorship so I thought I'd seize the occasion... Bravo, Spock -- they tell me your first mission may take you away for awhile, so I'll be the first to wish you luck... and to say...
(beat, emotional)
I miss you, old friend.


What I had in mind would be to have Nimoy/Spock to have watched it alone, perhaps after he had his conversation with Quinto/Spock.  That scene could have been set outside the balcony of the chambers at the end where Kirk gets the medal and the command.  After the Nimoy/Quinto scene, Quinto could have walked down the steps to the ground level of the chamber and once he was gone down the steps, the camera could have followed Nimoy to the balcony.

Then, as Nimoy neared the edge, he would look down on Pine/Kirk as Quinto arrives at his side among his crew mates.  Then, Nimoy could pull the message from his pocket, watch it, say quietly to himself, "And I am pleased to see you again, old friend" as he looks down on the stage as Quinto arrives at Pine/Kirk's side.  (Of course, this sentiment is purely illogical, but Spock is half-human, after all, plus we all know how much his character grew over the years and how much his friendship with Kirk molded and improved him.)

Anyways, then the camera would shift down to the ground level vantage of the scene, and it would play as written.  The scene would end with a perspective shot of Quinto looking up and seeing Nimoy nod and turn and walk away, disappearing onto the balcony and presumably out of the room.

Then the scene on the bridge of the Enterprise could play as written, as well.

Roll credits and play some music inspired by the original theme!

Friday, August 23, 2013

Re-imagined: Star Trek: Enterprise

Let's start with some food for thought from some recent articles published by the SYFY channel regarding Star Trek: Enterprise, shall we?




Interesting...

So, let's take those two thoughts, and re-imagine the series, as it should have been.

Picture, if you will, the entire first season of Star Trek: Enterprise if it had been structured similar to the first season of LOST.  The pilot would begin with the launch of the flagship of Starfleet's fastest vessel to date, the U.S.S. Cachrane or maybe the U.S.S. Zephram or something similar.  No need to name the ship Enterprise.  


Each episode of that season would tell a story with an equal amount of time as a flashback to the year prior to focus on the building of the ship, the recruitment of the crew and the internal and external politics, diplomacy and war posturing.   If they loosened the one-shot story directive, it could have been even grander.

Friday, June 28, 2013

Most awesomest cover EVER - Star Trek with Lyrics, performedacoustically by Tenacious D (you heard me)

Behold...feast your geeky ears on the following:

The most awesomest cover EVER!

An acoustic performance of the original Star Trek with lyrics, performed by Tenacious D (you heard me).

 It is from an excerpt from The Nerdist Podcast hosted by Chris Hardwick (on Twitter: @nerdist)(Podcast released on April 16, 2012).

(Warning...subjectively mild NSFW expletives)

I have three versions. The first with a long introduction, the second with just a short intro, and finally for those with no patience...just the song.

Choose wisely.
A few acknowledgments:
  • Dusty Abell at deviantart for the neat image at the top/right. http://dusty-abell.deviantart.com/art/Star-Trek-The-Original-Series-333378020
  • Chris Hardwick, Nerdist Podcast Host (On Twitter @Nerdist)
  • Jack Black (JB), Vocals; Tenacious D (On Twitter @RealTenaciousD)
  • Kyle Glass (KG), Acoustic Guitar;Tenacious D (On Twitter @RealTenaciousD)
  • Alexander Courage, Composer, "Where No Man Has Gone Before"
  • Eugene Wesley Roddenberry, Lyrics, "Where No Man Has Gone Before"

And here are the lyrics to "Where No Man Has Gone Before"…

Okay…here we go.

Beyond 
the rim of the star light,
my love 
is wandering in star flight.

I know…
he’ll find in star clustered reaches,
love, 
strange love a star woman teaches.

And I know 
his journey ends never.
His STAR TREK 
must go on forever.

But tell him 
as wanders 
the starry sea….

Remember…
remember meeeeeeeeeeeeeeeeeee!

Cha cha cha!”









Enjoy your knish.




Wednesday, May 15, 2013

The Starkey Collection - Elevator Pitches


Book 1: Starkey the Dragon Princess 
Book 2: Starkey and the Wolf 
Book 3: Starkey and the Nomads